Vesna Tenodi: Love Long Lost

“Love Long Lost” is part of our ongoing initiative to fight against Wokeism and Cancel Culture, as well as against aboriginalisation and aggressive ‘decolonisation’ process that is being conducted in Australia – under which the public buildings, statues and monuments, as well as private properties, art galleries and politically undesirable artworks are being vandalised and…

Vesna Tenodi: WOKEISM and its REVERSE RACISM

“Wokeism and its Reverse Racism” provides an insight into Cancel Culture and its “woke” movement. It is a must-read for anyone interested in Wokeism in Australia, the US and Canada, and in Reverse Racism which has poisoned contemporary Australian society.The book includes the orders that the “woke” organisations give to authors they see as a…

Why Aborigines want to burn Australia to the ground? Request to the Federal Government and Australian Cyber Security Centre (ACSC), for an Inquiry into Aboriginal Violence on Social Media, and into Corruption in the Aboriginal Industry – includes more parts of “The Truth about Australian Aborigines – in their own words” art installation, consisting of Aboriginal ‘activists’ comments, published in the public interest, 2020

This Request for a Federal Inquiry into Aboriginal violence against non-Aboriginal Australians was sent on 07 January 2020, and was one of a number of Requests sent to Australian Government and Australian Cyber Security Centre (ACSC) over the last thirteen years. These publications were prompted by the ongoing Aboriginal violence, vandalism and harassment of non-Aboriginal…

Open Letter to the Australian Prime Minister Scott Morrison and Request for a Federal Inquiry into Aboriginal Violence on Social Media and into Corruption in the Aboriginal Industry – includes parts of “The Truth about Australian Aborigines – in their own words” art installation, consisting of Aboriginal ‘activists’ comments, published in the public interest, 2019

This Request for a Federal Inquiry into Aboriginal violence against non-Aboriginal Australians was sent on 29 May 2019, and was one of a number of Requests sent to Australian Government over the last twelve years. These publications were prompted by the ongoing Aboriginal violence, vandalism and harassment of non-Aboriginal artists and intellectuals, and Aboriginal bullying…

Vesna Tenodi: Fraudulent prehistory continues to be supported by Australia’s mainstream, and Cannibalism in Paleolithic/Neolithic Europe and beyond

Vesna Tenodi: Fraudulent prehistory continues to be supported by Australia’s mainstream, and Cannibalism in Paleolithic/Neolithic Europe and beyond  Fraudulent “Dark Emu” book, which contains imaginary stories about Australian prehistory misrepresented as fact, written by fake Aborigine Bruce Pascoe, received glowing reviews, literary awards and accolades, and was promptly introduced as compulsory reading into our high…

Fraudulent prehistory continues to be supported by Australia’s mainstream, and Cannibalism in Paleolithic/Neolithic Europe and beyond

 Fraudulent “Dark Emu” book, which contains imaginary stories about Australian prehistory misrepresented as fact, written by fake Aborigine Bruce Pascoe, received glowing reviews, literary awards and accolades, and was promptly introduced as compulsory reading into our high schools and universities as a factual history book. Analysis of the fossilized human remains found at the five…

Vesna Tenodi: Understanding Australian prehistory accurately depends on honest, non-politicized research

Vesna Tenodi: Understanding Australian prehistory accurately depends on honest, non-politicized research The famous Bradshaw paintings represent only part of the evidence there were other people besides the Aborigines in Australia during the Pleistocene. In order to elevate the tribes to something other than Paleolithic hunter-gatherers, the first priority was to destroy archaeological material which didn’t…

Understanding Australian prehistory accurately depends on honest, non-politicized research

The famous Bradshaw paintings represent only part of the evidence there were other people besides the Aborigines in Australia during the Pleistocene. In order to elevate the tribes to something other than Paleolithic hunter-gatherers, the first priority was to destroy archaeological material which didn’t fit the desired narrative.   Download full article in pdf format:…

Personal experience – savage reactions to Vesna Tenodi’s Open Letter

Personal experience – savage reactions to Vesna Tenodi’s Open Letter to the new Australian Prime Minister, Scott Morrison, suggesting the need for a Federal Inquiry into Aboriginal violence on social media, and also requesting an investigation into general corruption of the Aboriginal industry as a whole. Download full article in pdf format: Personal experience – savage…

Vesna Tenodi: Personal experience – savage reactions to Vesna Tenodi’s Open Letter

 Personal experience – savage reactions to Vesna Tenodi’s Open Letter to the new Australian Prime Minister, Scott Morrison, suggesting the need for a Federal Inquiry into Aboriginal violence on social media, and also requesting an investigation into general corruption of the Aboriginal industry as a whole.

Disproved claims of ancient art copyright leads to invention of Australian Newspeak

 Thanks to the support of some sincere lawyers who publicly announced that their colleagues were wrong, the Australian public was finally informed that there is no copyright on ancient art and designs or on artistic styles and techniques, and that all the motifs, symbols and imagery are in the public domain, i.e. they can be…

Vesna Tenodi: Disproved claims of ancient art copyright leads to invention of Australian Newspeak

Vesna Tenodi: Disproved claims of ancient art copyright leads to invention of Australian Newspeak Thanks to the support of some sincere lawyers who publicly announced that their colleagues were wrong, the Australian public was finally informed that there is no copyright on ancient art and designs or on artistic styles and techniques, and that all…

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Vesna Tenodi: Aboriginal Paleolithic paintings explained

There is no credence in any of the Aboriginal industry’s ‘meticulous research’ which supposedly ‘proves that Walsh was wrong’… Walsh concluded that both groups – Bradshaw as well as Wanjina figures – were deliberately destroyed, which was the Aboriginal way of making a statement of cultural dominance over an earlier, non-Aboriginal race… Speaking the truth is now called ‘hate speech’… Fraud and falsified archaeology are now even enshrined in Australian law.

Aboriginal Industry in Australia – A society of sycophants and hypocrites

“I call these studies alleged research and see them as contentious because I regularly see a great many claims invented  or political purposes and the personal gain of participants in the Aboriginal industry.”     Download full article in pdf format: Aboriginal Industry in Australia – A society of sycophants and hypocrites

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Vesna Tenodi: Submission to the Parliamentary Inquiry into Aboriginal-style art and craft

Politically-prescribed and legally concocted “codes of conduct” and “protocols,” invented by the Aboriginal industry, are propagated in a way that can mislead any naive reader into believing that such “protocols” are actually enshrined in law. As a consequence, alleged “sacred customs” that have never actually existed have become mandatory in all public institutions and agencies.

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Vesna Tenodi: Two perplexing big news items 1.) The Balkans—cradle of humanity? 2.) Australian Madjedbebe shelter—find of the Century?

A new mainstream proposal now places the first ‘human ancestor’ not in Africa but in the Mediterranean. According to the theory, the lineages of chimpanzees and humans may have ‘split’ several hundred thousand years earlier than previously assumed, says an international research team…

Australia – where telling the truth and helping the tribes is seen as “just another form of invasion”, Part 2

Political correctness and other nonscientific practices are increasingly being used by Western institutions to stage-manage public beliefs about prehistory. It is a modern ruse used to promote ideas that would never pass muster in a full and honest disclosure of facts – a common problem in suppression-dependent anthropology.

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Vesna Tenodi: Australia – where telling the truth and helping the tribes is seen as “just another form of invasion”, Part 2

Political correctness and other nonscientific practices are increasingly being used by Western institutions to stage-manage public beliefs about prehistory. It is a modern ruse used to promote ideas that would never pass muster in a full and honest disclosure of facts – a common problem in suppression-dependent anthropology.

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Vesna Tenodi: Australia – where telling the truth and helping the tribes is seen as “just another form of invasion”, Part 1

Ted Strehlow fell out of favour when he asserted that real ancient culture was well and truly extinct, and replaced with a fake culture as devised by the Aboriginal industry. He went from glorified to vilified, for proving that modern Aborigines “no longer have any knowledge of the authentic tribal culture, since the elders and guardians of the secrets were all dead and that whole world is finished, and will never come back”.

Australia – where telling the truth and helping the tribes is seen as “just another form of invasion”, Part 1

Ted Strehlow fell out of favour when he asserted that real ancient culture was well and truly extinct, and replaced with a fake culture as devised by the Aboriginal industry. He went from glorified to vilified, for proving that modern Aborigines “no longer have any knowledge of the authentic tribal culture, since the elders and guardians of the secrets were all dead and that whole world is finished, and will never come back”.

Vesna Tenodi: From Stone Age to Space Age – Part 4 – It’s time to tell the truth about the Aboriginal industry

This moment is a long-overdue opportunity for Australian archaeology to be revived, for our vilified scientists to be rehabilitated, and for our artists to regain their right to create art without fear of Aboriginal violence. And for the Aboriginal industry with its propagators of a falsified past to be held accountable, exposed and defunded…

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Vesna Tenodi: From Stone Age to Space Age – Part 3 – The Truth about the Wanjina

This article is dedicated to Ian Wilson, author of Lost World of the Kimberley, published in 2006, attacked by the Aboriginal industry for his “provocative” research of Bradshaw paintings attributed to a pre-Aboriginal race which he called the Bradshaw people. Australian cave art has a lot in common with Asian prehistoric art. In the Stone Age art of Indonesia as found on Sulawesi island animal drawings were dated to 35,000 years ago placing them among the oldest figurative depictions in the world…

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Vesna Tenodi: From Stone Age to Space Age – Part 2

Same signs, same minds: Palaeolithic artefacts decorated with identical patterns such as parallel lines, ladder motif, cross-hatch pattern, dots and circles – together with jewellery made of shells, bones or pebbles – form part of a decorative repertoire typical for the Upper Palaeolithic period in the Mediterranean basin. The same motifs are also typical for Stone Age material found in Australia…

What-The

Media Release: ModroZorje Wanjina Watchers Sculpture Garden opening in Europe in response to Aboriginal violent and hateful conduct and the corrupt actions of the Aboriginal Industry

ModroZorje Wanjina Watchers Sculpture Garden opening in Europe In response to Aboriginal violent and hateful conduct (including vandalism and death threats) towards our DreamRaiser art projects (an initiative to revive Aboriginal spirituality), and the corrupt actions of the Aboriginal industry, ModroGorje Gallery now has the ModroZorje sister centre in Europe, with the Wanjina Watchers in…

What-The

Fake Aborigines at Australian Universities

What Australians really think: We are waiting for the good professor, and his colleagues, to apologise to Andrew Bolt. Why is it politically acceptable for these bureaucrats to “discover” the obvious, without being ridiculed and slandered like Andrew? And like Vesna, Gina, Ben and Goomblar, we should add. Hypocrites and sycophants, the lot of them.

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Breaking News – 44 Aboriginal organisations investigated for fraud and corruption, shocking misuse of taxpayer’s money, and abuse of power

Allegations of fraud, shocking waste and corruption have rocked Indigenous-run organisations around the country. There are 44 Indigenous organisations and programs currently being investigated by the Department of Prime Minister and Cabinet’s IAG Risk, Compliance and Integrity branch. Four Corners has learned that, in some cases, executives and other trusted figures abused their positions and…

Vesna Tenodi: Pleistocene underground – Part 3

Unethical practices, such as these found in the Australian mainstream, were clearly explained by the great American physicist Richard Feynman, who summed it up as follows:
“No government has the right to decide on the truth of scientific principles, nor to prescribe in any way the character of the questions investigated. Neither may a government determine the aesthetic value of artistic creations, nor limit the forms of literary or artistic expression…”…

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Pleistocene Underground Part 3

There is no credence in any of the Aboriginal industry’s ‘meticulous research’ which supposedly ‘proves that Walsh was wrong’… Walsh concluded that both groups – Bradshaw as well as Wanjina figures – were deliberately destroyed, which was the Aboriginal way of making a statement of cultural dominance over an earlier, non-Aboriginal race… Speaking the truth is now called ‘hate speech’… Fraud and falsified archaeology are now even enshrined in Australian law.

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Media Release: Request for the Australian Government to intervene in the Arts Law Centre of Australia breach of moral rights of non-Aboriginal artists Benedikt Osváth and Gina Sinozich

…and to instruct the Arts Law Centre to remove or change its offensive wording and lack of acknowledgement in its material, articles and publications – in all the instances where the wording is in breach of Australian Copyright Law…

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Vesna Tenodi: Global perspective on Australian archaeology – Crimes and consequences of Aboriginal violence

 Vesna Tenodi: Global perspective on Australian archaeology – Crimes and consequences of Aboriginal violence The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:http://pleistocenecoalition.com

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Vesna Tenodi: Australian artists terrorized by the taxpayer-funded Aboriginal Industry

 Vesna Tenodi: Australian artists terrorized by the taxpayer-funded Aboriginal Industry The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

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False attribution by the Arts Law Centre of the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osváth; Request to the Federal Government for an Inquiry into Aboriginal violence against non-Aboriginal artists and into Corruption in the Aboriginal Industry – Published in the Public Interest

False attribution by the Arts Law Centre of the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osváth; Request to the Federal Government for an Inquiry into Aboriginal violence against non-Aboriginal artists and into Corruption in the Aboriginal Industry – Published in the Public Interest “Dreamtime Set in Stone – the Truth about Australian…

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Vesna Tenodi: Australian archaeology, art, and politics intertwined

 Vesna Tenodi: Australian archaeology, art, and politics intertwined. The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:http://pleistocenecoalition.com

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Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 3 – Those paintings were created by the advanced Pre-Aboriginal races of Rajanes and Abrajanes, predating aboriginal tribes by hundreds of thousands of years

 Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 3 – Those paintings were created by the advanced Pre-Aboriginal races of Rajanes and Abrajanes, predating aboriginal tribes by hundreds of thousands of years. Don’t simply trust that the mainstream “experts” telling you a story of prehistory must know what they’re talking about. Remember,…

Decoding the messages of Pre-Aboriginal rock art – Part 2

 Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes™ and Abrajanes™. Download full article in pdf format: Decoding the messages of Pre-Aboriginal rock art – Part 2

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Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 2 – Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes and Abrajanes.

 Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 2 – Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes and Abrajanes. Don’t simply trust that the mainstream “experts” telling you…

Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes™ and Abrajanes™

 Why is the Aboriginal industry trying so hard to hide the truth about pre-Aboriginal Australian rock art? Download full article in pdf format: Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes™ and Abrajanes™

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Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes and Abrajanes. Why is the Aboriginal industry trying so hard to hide the truth about pre-Aboriginal Australian rock art?

 Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes and Abrajanes. Why is the Aboriginal industry trying so hard to hide the truth about pre-Aboriginal Australian rock art? The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical…

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Big thank-you to Sage Francis, for “Vonnegut Busy” from “Copper Gone” album, a perfect match for “Burning Bridges – Building Bridges” DreamRaiser art events. And as they say: may the bridges that we burn light the way.

 Big thank-you to Sage Francis, for “Vonnegut Busy” from “Copper Gone” album, a perfect match for “Burning Bridges – Building Bridges” DreamRaiser art events. And as they say: may the bridges that we burn light the way.

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Corruption in the Aboriginal Industry and its threat to freedom of expression

 Media Release 12 February 2015 – Corruption in the Aboriginal Industry and its threat to freedom of expression Request to the Federal Government for an Inquiry into Corruption in the Aboriginal Industry, and for investigation of Aboriginal violence against non-Aboriginal artists – includes a letter illustrating typical foolish demands, false claims that artists need “permission”…

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Vesna Tenodi: Australian past, present, and future – Part 2: Why is the Aboriginal industry so afraid of DNA testing? What are they afraid it might prove? Non-indigenous origin of contemporary tribes? Pre-Aboriginal races? Parallel existence and interbreeding of advanced and primitive groups?

 Vesna Tenodi: Australian past, present, and future – Part 2: Why is the Aboriginal industry so afraid of DNA testing? What are they afraid it might prove? Non-indigenous origin of contemporary tribes? Pre-Aboriginal races? Parallel existence and interbreeding of advanced and primitive groups? The Pleistocene Coalition is a group of researchers challenging the tenets of…

Pleistocene-Coalition-sep-oct-2014

Vesna Tenodi: Australian past, present, and future – Part 1: Cardinal errors which have spelled the end of Australian academic freedom – Predecessors, Ancestors, and white Aborigines

 Vesna Tenodi: Australian past, present, and future – Part 1: Cardinal errors which have spelled the end of Australian academic freedom – Predecessors, Ancestors, and white Aborigines The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not…

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Vesna Tenodi: Australian Forbidden Past – Homo erectus and the highly advanced pre-Aboriginal races of Rajanes and Abrajanes

 Vesna Tenodi: Australian Forbidden Past – Homo erectus and the highly advanced pre-Aboriginal races of Rajanes and Abrajanes The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

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Vesna Tenodi: Saving the Wanjina Watchers in the Whispering Stone

 Vesna Tenodi: Saving the Wanjina Watchers in the Whispering Stone The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

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Wanjina Watchers Dolls – protest against Aboriginal violence – international art events in support of Polish designer Ewa Smuga and the Eclipse Hotel

 Wanjina Watchers Dolls – protest against Aboriginal violence – international art events in support of Polish designer Ewa Smuga and the Eclipse Hotel Wanjina Watchers Dolls art events are held in support of Polish designer Ewa Smuga and Hotel Eclipse, to inform the international community about escalating Aboriginal violence against artists, as well as corruption…

Pleistocene-Coalition-may-jun-2014

Vesna Tenodi: Brain matters, Part 3 & 4: Leading Australian archaeologists say contemporary Aborigines should have nothing to do with the interpretation of Palaeolithic Australian cultures

 Vesna Tenodi: Brain matters, Part 3 & 4: Leading Australian archaeologists say contemporary Aborigines should have nothing to do with the interpretation of Palaeolithic Australian cultures The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid…

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The Wanjinas say: WITHOUT TRUTH – THERE IS NO HOPE!

Spoken by: Jesse Russell-Williams Lyrics: Wanjinas Art: “Wanjina Watchers” by Gina Sinozich, Benedikt Osváth, Marina Lapadatovic, Graeme Biddle, Vesna Tenodi, Damir Tenodi Didgeridoo: Aboriginal artist Goomblar Wylo Book by Vesna Tenodi “Dreamtime Set in Stone — the Truth about Australian Aborigines, as requested by the Those-Who-Know” Goomblar’s didgeridoo performance at ModroGorje Gallery — DVD companion…

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Contemporary Aboriginal art is crap

“Aboriginal art is crap, repetitive patterns suitable for decorative rugs, discussed in dramatically hallowed terms, spectacular fraud playing on the corporate guilt, the stale rejiggings of a half-remembered heritage, corrupted art with all energy, purpose and authenticity lost…” Britain’s leading art critics say it as it is, and give their honest, objective assessment of contemporary…

Pleistocene-Coalition-Sep-Oct-2013

Vesna Tenodi: Open letter to Svante Pääbo and the Max Planck Institute – your revolutionary work is crucial to save Australian archaeology

The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com Download full article in pdf format: Vesna Tenodi: Open letter to Svante Pääbo and the Max Planck Institute – your revolutionary…

Wanjinas - Crede ut intelligas

Open Letter to the Liberal Government; and thanks to the Office for the Arts for defunding the Arts Law Centre of Australia

Open Letter to the Liberal Government; and thanks to the Office for the Arts for defunding the Arts Law Centre of Australia Before the Federal election on 7 September 2013, this request was sent to the Liberal coalition, in expectation they will take over and liberate Australian people from the Labor Government and its tyranny.…

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Wanjina Rising – ridden by jockey Tommy Berry, Wanjina horse is set for glory. Go, Tommy Go!

Wandjina – a million dollar two-year-old racehorse is set for glory. Aborigines are furious over this “offensive” use of the “sacred” Wanjina name without their “permission”. Let’s hope that Aborigines will not start another round of harassment, abuse, violence and vandalism. Unfortunately, this is their customary behaviour whenever they claim to be “offended”. Go, Tommy…

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“Dreamtime Set in Stone – the Truth about Australian Aborigines, as requested by the Those-Who-Know” by Vesna Tenodi [Kindle Edition]

 “Dreamtime Set in Stone – the Truth about Australian Aborigines, as requested by the Those-Who-Know” by Vesna Tenodi [Kindle Edition] NEW on Amazon: The book that some violent Aborigines wanted banned and their lawyers tried to confiscate. Conversations with Aboriginal elder Goomblar Wylo. Goomblar’s didgeridoo performance, originallyDVD companion to the book, now on YouTube

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Vesna Tenodi: Neanderthal–Denisovan–Aboriginal DNA connection

 Vesna Tenodi: Neanderthal–Denisovan–Aboriginal DNA connection With their research results between 2010 and 2013, the Max Planck Institute for Evolutionary Anthropology, in Leipzig, Germany, upended the firmly established theories of Homo sapiens origins. Out-of Africa, with both the Replacement model as well as the Assimilation model were out the window. The Pleistocene Coalition is a group…

Vesna Tenodi: Neanderthal–Denisovan–Aboriginal DNA connection

 With their research results between 2010 and 2013, the Max Planck Institute for Evolutionary Anthropology, in Leipzig, Germany, upended the firmly established theories of Homo sapiens origins. Out-of Africa, with both the Replacement model as well as the Assimilation model were out the window. Download full article in pdf format: Neanderthal–Denisovan–Aboriginal DNA connection

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Vesna Tenodi is a nominee for the NSW Human Rights Award 2013

 An archaeologist, artist and writer, Vesna has been campaigning to ensure human rights and civil liberties for all Australians, in particular the rights of Australian non-Aboriginal artists to create art without censorship, and for Australian archaeologists to explore the past without interference from politicians and lawyers. Within her campaign for freedom of intellectual and artistic…

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Vesna Tenodi: Forbidden Art, Politicised Archaeology and the “Dreamtime Set in Stone” book with Goomblar Wylo

 Vesna Tenodi: Forbidden Art, Politicised Archaeology and the “Dreamtime Set in Stone” book with Goomblar Wylo The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:www.pleistocenecoalition.com

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Western civilization needs Wanjinas – DreamRaiser Artists in the Pleistocene Coalition Art Gallery

 Western civilization needs Wanjinas – DreamRaiser Artists in the Pleistocene Coalition Art Gallery Australian and Croatian artists in PC gallery: “…superb paintings and other creative work from Vesna Tenodi’s DreamRaiser project including the exploratory electronic and guitar instrumental by Croatian composer and musician Amadeo Dujmovic…”

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Vesna Tenodi: Wanjinas now – Contemporary artists reviving pre-Aboriginal Australian rock art

Vesna Tenodi: Wanjinas now – Contemporary artists reviving pre-Aboriginal Australian rock art The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: pleistocenecoalition.com

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On the Edge of Science: Damir Tenodi – The Art of Tai Chi, the Masters-of-the-Fifth-level and Wanjina DreamRaiser art installation

 On the Edge of Science: Damir Tenodi – The Art of Tai Chi, the Masters-of-the-Fifth-level and Wanjina DreamRaiser art installation TV talk show On the Edge of Science with Kresimir Misak – English transcript coming soon.

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Vesna Tenodi: Wanjina & Bradshaw-style rock art in other parts of the world

 Vesna Tenodi: Wanjina & Bradshaw-style rock art in other parts of the world The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: pleistocenecoalition.com

Vesna Tenodi: Pre-Aboriginal Races in Australia – Mungo Man and Kow Swamp Bones

Vesna Tenodi: Pre-Aboriginal Races in Australia – Mungo Man and Kow Swamp Bones The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

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Lucas Grogan: Another Australian artist terrorized by Aborigines

Yes, in Australia today you can be terrorised and have your art censored for “offending” Aborigines with using a criss-cross pattern, putting three dots together, or even if any anonymous caller starts making threats of violence to artists and gallery owners. Why artist Lucas Grogan was censored: angry objectors who choose to be offended Lucas…

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Cameron Hayes: The incomplete history of Milikapiti

 Cameron Hayes: The incomplete history of Milikapiti Following Aboriginal hysterical threats, Alcaston Gallery director Beverly Knight cancelled the exhibition of Melbourne-based artist Cameron Hayes a day before its opening in June… Why artist Cameron Hayes was censored: depictions of aboriginal life by white artist spark outrage Wanjina DreamRaisers WorldWide Club

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Vesna Tenodi: Pre-Aboriginal Australian rock art: Wanjina and Bradshaw figures

 Vesna Tenodi: Pre-Aboriginal Australian rock art: Wanjina and Bradshaw figures The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

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Aborigines, Artistic Freedom and Spiritual Archaeology

 Aborigines, Artistic Freedom and Spiritual Archaeology On the Edge of Science – Kresimir Misak interviews Vesna Tenodi, a Croatian-Australian archaeologist, artist, writer and medium, who lives in Sydney. Topics include art and censorship, political correctness which is paralysing Australian society today and is used to terrorise artists and writers, as well as Aboriginal violence against…

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Wanjinas’ smile – another wake-up call to Aborigines

Music & performance: Amadeo Dujmovic Lyrics: Vesna Tenodi, Wanjina CEO Art: Benedikt Osváth, Gina Sinozich, Marina Lapadatovic, Graeme Biddle, Suncica Dzaic Wanjinas’ smile – another wake-up call to Aborigines Hey, listen you all… la, lalala, la who are building the wall… between the skies… and people’s minds… Hey, listen you all… la, lalala, la distorting…

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The social impact of Aboriginal hate in contemporary Australian society

Silencing the voices of reason, a social, political and archaeological study, examining art censorship In their intention to engineer a way to censor the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osváth, the Blue Mountains City Council joined forces with the Arts Law Centre of Australia and successfully manipulated planning laws, using the…

Wanjinas - Crede ut intelligas

Five-to-twelve – Dreamtime is over, it’s time to wake up!

 The higher cosmic beings, Master Ananda and the Those-Who-Know, in November 2011 gave an assessment of the current condition of the world, with advice, warnings and encouragements. The Masters said that 10 December 2011 is a tipping point, at which the world will become locked-in the state as people have chosen themselves. Until 20 December…

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The NSW Land and Environment Court has ordered the removal of a Katoomba sculpture

 The NSW Land and Environment Court has ordered the removal of a Katoomba sculpture deemed offensive by Aboriginal communities in Western Australia and the Blue Mountains. But ModroGorje Wellness and Art Centre owner Vesna Tenodi said the decision to have the Wanjina Watchers in the Whispering Stone sculpture removed from the front lawn of her…

Wanjina-of-Courage

Arts Law Centre: How to use other laws to enforce non-existent law, 18 April 2011

In 2010, a gallery in the Blue Mountains in NSW erected a large sculpture featuring Wandjinas, the creation spirit sacred to the Worrora, Wunumbal and Ngarinyin Aboriginal tribes in Western Australia. Artists in the Black was contacted by both the people of the Katoomba area and Mowanjum Arts which represents artists from the three language…

Wanjina-of-Courage

Arts Law Centre: The Wandjina case, 30 September 2010

The Law Report on ABC’s Radio National recently ran a story(i) about a gallery in the Blue Mountains which has erected a large outside sculpture featuring Wandjinas, the creation spirit sacred to three Aboriginal tribes in the Kimberley in Western Australia(ii). The gallery, in a separate initiative is also encouraging artists to create their own…

Truth in Art – Message from Vesna:

In line with What Wanjinas Want, as communicated on 11/03/2011, we are developing a new range of products, inspired by prehistoric Australian cave art, to coincide with the release of “Set in Sand” book. We are adding new themes to our work plan for 2011 which so far includes: Blue Mountains Blues – Wanjina Laughing…

Arts Law Centre of Australia confirms: Wanjina Watchers in the Whispering Stone is original artwork by Ben Osváth

The Law Report on ABC’s Radio National recently ran a story about a gallery in the Blue Mountains which has erected a large outside sculpture featuring Wandjinas, the creation spirit sacred to three Aboriginal tribes in the Kimberley in Western Australia. The gallery, in a separate initiative is also encouraging artists to create their own…

Croatian Herald Exclusive: Death of artistic freedom in Australia – local council supports the vandals

Vesna Tenodi is a well known personality in the Sydney Croatian community. For many years she worked as a translator and interpreter for the Australian Government, and lately also as a community worker with the Croatian Australian Community Council (CACC). In recent years, she – along with husband Damir – renovated a house in the…

ABC-Kimberly

ABC Kimberley: Vesna Tenodi is following Wanjina’s instructions

Violent response to Wandjina Watchers sculpture The Wanjina Watchers in the Whispering Stone, the eight-and- a-half tonne sandstone sculpture by Australian artist Benedikt Osváth has been repeatedly vandalised by local thugs who also vandalised the ModroGorje gallery and made death threats to its owners and artists, claiming they acted under orders from a Kimberley tribesman. As one of…

Orb-Large

Among the Hostiles excerpts

Our DreamRaiser project was initiated by the Those-Who-Know, or Wanjinas (Aboriginal spiritual forefathers, the DreamTimeKeepers), to raise awareness about two matters: • the dreadful social and spiritual condition the Aboriginal communities live in today, and urgency of a radical change in general approach; • the fact that I responded to the Wanjinas requests and am…

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Wanjinas’ Call to Aboriginal people for reconciliation (NAIDOC week 2010)

  Lyrics: Vesna Tenodi, Wanjina CEO, Music: Amadeo Dujmovic Wanjinas’ call to Aboriginal people for reconciliation Reconciliate with us — your Wanjinas, again, By overcoming anger and hatred and pain. Imposed on your people two centuries ago. The moment has come to let the pain go. And let the anger go, and let the hatred…

Non-Indigenous Artists Rights to Produce Indigenous Art

… Vesna Tenodi has described the intention of the sculpture as to recognise, celebrate and “reinterpret” Indigenous spirituality. She feels spiritually connected to the Wandjina and sees herself as having a right, and even spiritual permission and direction, to use the imagery. She said recently on ABC’s The Law Report that artists should have the…

Andrew-Bolt

New racism and humbugging an artist

Katoomba businesswoman Vesna Tenodi commissioned artist Ben Osvath to carve a sculpture –Wandjina Watchers in the Whispering Stone – to celebrate the deep spirituality of Aboriginal culture. Spot their mistake, which has them the targets of death threats, vandalism and moral lectures by the viciously sanctimonious… Read more http://www.kimberleypage.com.au/2010/07/katoomba-gallery-owner-releases-wanjina-song/.

Vesna-Tenodi

Katoomba: Gallery owner releases Wanjina song

Blue Mountains gallery owner Vesna Tenodi has released a song entitled “Wanjinas Call” for NAIDOC week. Ms Tenodi, who commissioned a large stone Wanjina carving outside her gallery, has already attracted considerable hostility from Mowanjum artists and her local Aboriginal community for unauthorised use of sacred images. Read more http://www.kimberleypage.com.au/2010/07/katoomba-gallery-owner-releases-wanjina-song/.

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Nicholas Carbonari – Iconoclast

 A Crusade Echo Point is a magnet of sorts; for tourists; for the suicidal. And, for would be spiritual saviors. A couple of years ago Vesna Tenodi, disciple of the esoteric teachings of Anan-Do, archaeologist, translator and community worker, was making a leisurely visit to the famous tourist spot. Echo Point’s magnificent vista, encompassing the…

Wanjina Watchers spat reveals censorious, anti-art culture

 Here is a perfect illustration of the depressingly censorious attitude that dominates the Australian arts world: A Katoomba businesswoman called Vesna Tenodi commissioned an artist, Ben Osvath, to carve a sculpture called Wandjina Watchers in the Whispering Stone. Its intention was to affirm and celebrate the deep spirituality of Aboriginal culture. However, local Aborigines were…