Vesna Tenodi: Fraudulent prehistory continues to be supported by Australia’s mainstream, and Cannibalism in Paleolithic/Neolithic Europe and beyond

Spiritual Archaeology, ,

Vesna Tenodi: Fraudulent prehistory continues to be supported by Australia’s mainstream, and Cannibalism in Paleolithic/Neolithic Europe and beyond  Fraudulent “Dark Emu” book, which contains imaginary stories about Australian prehistory misrepresented as fact, written by fake Aborigine Bruce Pascoe, received glowing reviews, literary awards and accolades, and was promptly introduced as compulsory reading into our high…

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Fraudulent prehistory continues to be supported by Australia’s mainstream, and Cannibalism in Paleolithic/Neolithic Europe and beyond

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal,

 Fraudulent “Dark Emu” book, which contains imaginary stories about Australian prehistory misrepresented as fact, written by fake Aborigine Bruce Pascoe, received glowing reviews, literary awards and accolades, and was promptly introduced as compulsory reading into our high schools and universities as a factual history book. Analysis of the fossilized human remains found at the five…

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Vesna Tenodi: Understanding Australian prehistory accurately depends on honest, non-politicized research

Spiritual Archaeology, ,

Vesna Tenodi: Understanding Australian prehistory accurately depends on honest, non-politicized research The famous Bradshaw paintings represent only part of the evidence there were other people besides the Aborigines in Australia during the Pleistocene. In order to elevate the tribes to something other than Paleolithic hunter-gatherers, the first priority was to destroy archaeological material which didn’t…

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Understanding Australian prehistory accurately depends on honest, non-politicized research

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal,

The famous Bradshaw paintings represent only part of the evidence there were other people besides the Aborigines in Australia during the Pleistocene. In order to elevate the tribes to something other than Paleolithic hunter-gatherers, the first priority was to destroy archaeological material which didn’t fit the desired narrative.   Download full article in pdf format:…

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Personal experience – savage reactions to Vesna Tenodi’s Open Letter

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal,

Personal experience – savage reactions to Vesna Tenodi’s Open Letter to the new Australian Prime Minister, Scott Morrison, suggesting the need for a Federal Inquiry into Aboriginal violence on social media, and also requesting an investigation into general corruption of the Aboriginal industry as a whole. Download full article in pdf format: Personal experience – savage…

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Vesna Tenodi: Personal experience – savage reactions to Vesna Tenodi’s Open Letter

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 Personal experience – savage reactions to Vesna Tenodi’s Open Letter to the new Australian Prime Minister, Scott Morrison, suggesting the need for a Federal Inquiry into Aboriginal violence on social media, and also requesting an investigation into general corruption of the Aboriginal industry as a whole.

Disproved claims of ancient art copyright leads to invention of Australian Newspeak

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal,

 Thanks to the support of some sincere lawyers who publicly announced that their colleagues were wrong, the Australian public was finally informed that there is no copyright on ancient art and designs or on artistic styles and techniques, and that all the motifs, symbols and imagery are in the public domain, i.e. they can be…

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Vesna Tenodi: Disproved claims of ancient art copyright leads to invention of Australian Newspeak

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Vesna Tenodi: Disproved claims of ancient art copyright leads to invention of Australian Newspeak Thanks to the support of some sincere lawyers who publicly announced that their colleagues were wrong, the Australian public was finally informed that there is no copyright on ancient art and designs or on artistic styles and techniques, and that all…

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Pleistocene-Coalition-January-February-2019

Vesna Tenodi: Aboriginal Paleolithic paintings explained

Spiritual Archaeology, Truth in Art News & Links, , ,

There is no credence in any of the Aboriginal industry’s ‘meticulous research’ which supposedly ‘proves that Walsh was wrong’… Walsh concluded that both groups – Bradshaw as well as Wanjina figures – were deliberately destroyed, which was the Aboriginal way of making a statement of cultural dominance over an earlier, non-Aboriginal race… Speaking the truth is now called ‘hate speech’… Fraud and falsified archaeology are now even enshrined in Australian law.

Aboriginal Industry in Australia – A society of sycophants and hypocrites

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal,

“I call these studies alleged research and see them as contentious because I regularly see a great many claims invented  or political purposes and the personal gain of participants in the Aboriginal industry.”     Download full article in pdf format: Aboriginal Industry in Australia – A society of sycophants and hypocrites

Pleistocene-Coalition-2018-May-Jun

Vesna Tenodi: Submission to the Parliamentary Inquiry into Aboriginal-style art and craft

Spiritual Archaeology, ,

Politically-prescribed and legally concocted “codes of conduct” and “protocols,” invented by the Aboriginal industry, are propagated in a way that can mislead any naive reader into believing that such “protocols” are actually enshrined in law. As a consequence, alleged “sacred customs” that have never actually existed have become mandatory in all public institutions and agencies.

Pleistocene-Coalition-july-august-2017

Vesna Tenodi: Two perplexing big news items 1.) The Balkans—cradle of humanity? 2.) Australian Madjedbebe shelter—find of the Century?

Spiritual Archaeology,

A new mainstream proposal now places the first ‘human ancestor’ not in Africa but in the Mediterranean. According to the theory, the lineages of chimpanzees and humans may have ‘split’ several hundred thousand years earlier than previously assumed, says an international research team…

Australia – where telling the truth and helping the tribes is seen as “just another form of invasion”, Part 2

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Political correctness and other nonscientific practices are increasingly being used by Western institutions to stage-manage public beliefs about prehistory. It is a modern ruse used to promote ideas that would never pass muster in a full and honest disclosure of facts – a common problem in suppression-dependent anthropology.

Pleistocene-Coalition-march-april-2017

Vesna Tenodi: Australia – where telling the truth and helping the tribes is seen as “just another form of invasion”, Part 2

Spiritual Archaeology, , , ,

Political correctness and other nonscientific practices are increasingly being used by Western institutions to stage-manage public beliefs about prehistory. It is a modern ruse used to promote ideas that would never pass muster in a full and honest disclosure of facts – a common problem in suppression-dependent anthropology.

pleistocene-coalition-January-February-2017

Vesna Tenodi: Australia – where telling the truth and helping the tribes is seen as “just another form of invasion”, Part 1

Spiritual Archaeology, , , , ,

Ted Strehlow fell out of favour when he asserted that real ancient culture was well and truly extinct, and replaced with a fake culture as devised by the Aboriginal industry. He went from glorified to vilified, for proving that modern Aborigines “no longer have any knowledge of the authentic tribal culture, since the elders and guardians of the secrets were all dead and that whole world is finished, and will never come back”.

Australia – where telling the truth and helping the tribes is seen as “just another form of invasion”, Part 1

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal, , , ,

Ted Strehlow fell out of favour when he asserted that real ancient culture was well and truly extinct, and replaced with a fake culture as devised by the Aboriginal industry. He went from glorified to vilified, for proving that modern Aborigines “no longer have any knowledge of the authentic tribal culture, since the elders and guardians of the secrets were all dead and that whole world is finished, and will never come back”.

Vesna Tenodi: From Stone Age to Space Age – Part 4 – It’s time to tell the truth about the Aboriginal industry

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This moment is a long-overdue opportunity for Australian archaeology to be revived, for our vilified scientists to be rehabilitated, and for our artists to regain their right to create art without fear of Aboriginal violence. And for the Aboriginal industry with its propagators of a falsified past to be held accountable, exposed and defunded…

th-pleistocene-coalition-sep-oct-2016

Vesna Tenodi: From Stone Age to Space Age – Part 3 – The Truth about the Wanjina

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This article is dedicated to Ian Wilson, author of Lost World of the Kimberley, published in 2006, attacked by the Aboriginal industry for his “provocative” research of Bradshaw paintings attributed to a pre-Aboriginal race which he called the Bradshaw people. Australian cave art has a lot in common with Asian prehistoric art. In the Stone Age art of Indonesia as found on Sulawesi island animal drawings were dated to 35,000 years ago placing them among the oldest figurative depictions in the world…

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Vesna Tenodi: From Stone Age to Space Age – Part 2

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Same signs, same minds: Palaeolithic artefacts decorated with identical patterns such as parallel lines, ladder motif, cross-hatch pattern, dots and circles – together with jewellery made of shells, bones or pebbles – form part of a decorative repertoire typical for the Upper Palaeolithic period in the Mediterranean basin. The same motifs are also typical for Stone Age material found in Australia…

Vesna Tenodi: Pleistocene underground – Part 3

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Unethical practices, such as these found in the Australian mainstream, were clearly explained by the great American physicist Richard Feynman, who summed it up as follows:
“No government has the right to decide on the truth of scientific principles, nor to prescribe in any way the character of the questions investigated. Neither may a government determine the aesthetic value of artistic creations, nor limit the forms of literary or artistic expression…”…

Pleistocene underground Part 3

Pleistocene Underground Part 3

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal, , , ,

There is no credence in any of the Aboriginal industry’s ‘meticulous research’ which supposedly ‘proves that Walsh was wrong’… Walsh concluded that both groups – Bradshaw as well as Wanjina figures – were deliberately destroyed, which was the Aboriginal way of making a statement of cultural dominance over an earlier, non-Aboriginal race… Speaking the truth is now called ‘hate speech’… Fraud and falsified archaeology are now even enshrined in Australian law.

Pleistocene-Coalition-sep-oct-2015

Vesna Tenodi: Global perspective on Australian archaeology – Crimes and consequences of Aboriginal violence

Aboriginal Violence, Spiritual Archaeology, ,

 Vesna Tenodi: Global perspective on Australian archaeology – Crimes and consequences of Aboriginal violence The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:http://pleistocenecoalition.com

Pleistocene-Coalition-sep-oct-2015

Vesna Tenodi: Australian artists terrorized by the taxpayer-funded Aboriginal Industry

Aboriginal Violence, Spiritual Archaeology, ,

 Vesna Tenodi: Australian artists terrorized by the taxpayer-funded Aboriginal Industry The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

Pleistocene-Coalition-Jul-Aug-2015

Vesna Tenodi: Australian archaeology, art, and politics intertwined

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 Vesna Tenodi: Australian archaeology, art, and politics intertwined. The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:http://pleistocenecoalition.com

Pleistocene-Coalition-may-jun-2015

Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 3 – Those paintings were created by the advanced Pre-Aboriginal races of Rajanes and Abrajanes, predating aboriginal tribes by hundreds of thousands of years

Spiritual Archaeology, , , ,

 Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 3 – Those paintings were created by the advanced Pre-Aboriginal races of Rajanes and Abrajanes, predating aboriginal tribes by hundreds of thousands of years. Don’t simply trust that the mainstream “experts” telling you a story of prehistory must know what they’re talking about. Remember,…

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Croatian TV: “Wanjina Watchers – Celestial Guardians” exhibition by Gina Sinozich, explaining the ancient rock art left in Australia by the advanced races of Rajanes and Abrajanes, predating the incoming Aboriginal tribes by thousands of years

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 Croatian TV: “Wanjina Watchers – Celestial Guardians” exhibition by Gina Sinozich, explaining the ancient rock art left in Australia by the advanced races of Rajanes and Abrajanes, predating the incoming Aboriginal tribes by thousands of years.

Decoding the messages of Pre-Aboriginal rock art – Part 2

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal,

 Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes™ and Abrajanes™. Download full article in pdf format: Decoding the messages of Pre-Aboriginal rock art – Part 2

pleistocene-coalition-mar-apr-2015

Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 2 – Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes and Abrajanes.

Spiritual Archaeology, , , , ,

 Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 2 – Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes and Abrajanes. Don’t simply trust that the mainstream “experts” telling you…

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Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes™ and Abrajanes™

Spiritual Archaeology, Truth in Art News & Links, Vesna's articles in PCN journal,

 Why is the Aboriginal industry trying so hard to hide the truth about pre-Aboriginal Australian rock art? Download full article in pdf format: Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes™ and Abrajanes™

Pleistocene-Coalition-jan-feb-2015

Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes and Abrajanes. Why is the Aboriginal industry trying so hard to hide the truth about pre-Aboriginal Australian rock art?

Spiritual Archaeology, , , ,

 Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes and Abrajanes. Why is the Aboriginal industry trying so hard to hide the truth about pre-Aboriginal Australian rock art? The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical…

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Pleistocene-Coalition-nov-dec-2014

Vesna Tenodi: Australian past, present, and future – Part 2: Why is the Aboriginal industry so afraid of DNA testing? What are they afraid it might prove? Non-indigenous origin of contemporary tribes? Pre-Aboriginal races? Parallel existence and interbreeding of advanced and primitive groups?

Spiritual Archaeology, , ,

 Vesna Tenodi: Australian past, present, and future – Part 2: Why is the Aboriginal industry so afraid of DNA testing? What are they afraid it might prove? Non-indigenous origin of contemporary tribes? Pre-Aboriginal races? Parallel existence and interbreeding of advanced and primitive groups? The Pleistocene Coalition is a group of researchers challenging the tenets of…

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Pleistocene-Coalition-sep-oct-2014

Vesna Tenodi: Australian past, present, and future – Part 1: Cardinal errors which have spelled the end of Australian academic freedom – Predecessors, Ancestors, and white Aborigines

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 Vesna Tenodi: Australian past, present, and future – Part 1: Cardinal errors which have spelled the end of Australian academic freedom – Predecessors, Ancestors, and white Aborigines The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not…

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Vesna Tenodi: Australian Forbidden Past – Homo erectus and the highly advanced pre-Aboriginal races of Rajanes and Abrajanes

Spiritual Archaeology, , , , ,

 Vesna Tenodi: Australian Forbidden Past – Homo erectus and the highly advanced pre-Aboriginal races of Rajanes and Abrajanes The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

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Vesna Tenodi: Saving the Wanjina Watchers in the Whispering Stone

Spiritual Archaeology, ,

 Vesna Tenodi: Saving the Wanjina Watchers in the Whispering Stone The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

Pleistocene-Coalition-may-jun-2014

Vesna Tenodi: Brain matters, Part 3 & 4: Leading Australian archaeologists say contemporary Aborigines should have nothing to do with the interpretation of Palaeolithic Australian cultures

Spiritual Archaeology,

 Vesna Tenodi: Brain matters, Part 3 & 4: Leading Australian archaeologists say contemporary Aborigines should have nothing to do with the interpretation of Palaeolithic Australian cultures The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid…

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Pleistocene-Coalition-Sep-Oct-2013

Vesna Tenodi: Open letter to Svante Pääbo and the Max Planck Institute – your revolutionary work is crucial to save Australian archaeology

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 Vesna Tenodi: Open letter to Svante Pääbo and the Max Planck Institute – your revolutionary work is crucial to save Australian archaeology The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status…

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pleistocene-coalition-jul-aug-2013

Vesna Tenodi: Neanderthal–Denisovan–Aboriginal DNA connection

Spiritual Archaeology, , , , ,

 Vesna Tenodi: Neanderthal–Denisovan–Aboriginal DNA connection The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

Pleistocene-Coalition-jan-feb-2013

Vesna Tenodi: Forbidden Art, Politicised Archaeology and the “Dreamtime Set in Stone” book with Goomblar Wylo

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 Vesna Tenodi: Forbidden Art, Politicised Archaeology and the “Dreamtime Set in Stone” book with Goomblar Wylo The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:www.pleistocenecoalition.com

Pleistocene-Coalition-Nov-Dec-2012

Vesna Tenodi: Wanjinas now – Contemporary artists reviving pre-Aboriginal Australian rock art

Spiritual Archaeology, , ,

Vesna Tenodi: Wanjinas now – Contemporary artists reviving pre-Aboriginal Australian rock art The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: pleistocenecoalition.com

Pleistocene-Coalition-Sep-Oct-2012

Vesna Tenodi: Wanjina & Bradshaw-style rock art in other parts of the world

Spiritual Archaeology, , ,

 Vesna Tenodi: Wanjina & Bradshaw-style rock art in other parts of the world The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: pleistocenecoalition.com

Vesna Tenodi: Pre-Aboriginal Races in Australia – Mungo Man and Kow Swamp Bones

Spiritual Archaeology, , ,

Vesna Tenodi: Pre-Aboriginal Races in Australia – Mungo Man and Kow Swamp Bones The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

Pleistocene-Coalition-May-Jun-2012

Vesna Tenodi: Pre-Aboriginal Australian rock art: Wanjina and Bradshaw figures

Spiritual Archaeology, , , ,

 Vesna Tenodi: Pre-Aboriginal Australian rock art: Wanjina and Bradshaw figures The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com

NRZ-Kresimir-Misak

Aborigines, Artistic Freedom and Spiritual Archaeology

Art Censorship, DreamRaiser - Spiritual Art, Spiritual Archaeology, , , , ,

 Aborigines, Artistic Freedom and Spiritual Archaeology On the Edge of Science – Kresimir Misak interviews Vesna Tenodi, a Croatian-Australian archaeologist, artist, writer and medium, who lives in Sydney. Topics include art and censorship, political correctness which is paralysing Australian society today and is used to terrorise artists and writers, as well as Aboriginal violence against…

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