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Media Release: ModroZorje Wanjina Watchers Sculpture Garden opening in Europe in response to Aboriginal violent and hateful conduct and the corrupt actions of the Aboriginal Industry

ModroZorje Wanjina Watchers Sculpture Garden opening in Europe In response to Aboriginal violent and hateful conduct (including vandalism and death threats) towards our DreamRaiser art projects (an initiative to revive Aboriginal spirituality), and the corrupt actions of the Aboriginal industry, ModroGorje Gallery now has the ModroZorje sister centre in Europe, with the Wanjina Watchers in…

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Media Release: Request for the Australian Government to intervene in the Arts Law Centre of Australia breach of moral rights of non-Aboriginal artists Benedikt Osváth and Gina Sinozich

…and to instruct the Arts Law Centre to remove or change its offensive wording and lack of acknowledgement in its material, articles and publications – in all the instances where the wording is in breach of Australian Copyright Law…

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False attribution by the Arts Law Centre of the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osváth; Request to the Federal Government for an Inquiry into Aboriginal violence against non-Aboriginal artists and into Corruption in the Aboriginal Industry – Published in the Public Interest

False attribution by the Arts Law Centre of the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osváth; Request to the Federal Government for an Inquiry into Aboriginal violence against non-Aboriginal artists and into Corruption in the Aboriginal Industry – Published in the Public Interest “Dreamtime Set in Stone – the Truth about Australian…

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Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 2 – Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes and Abrajanes.

 Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 2 – Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes and Abrajanes. Don’t simply trust that the mainstream “experts” telling you…

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Corruption in the Aboriginal Industry and its threat to freedom of expression

 Media Release 12 February 2015 – Corruption in the Aboriginal Industry and its threat to freedom of expression Request to the Federal Government for an Inquiry into Corruption in the Aboriginal Industry, and for investigation of Aboriginal violence against non-Aboriginal artists – includes a letter illustrating typical foolish demands, false claims that artists need “permission”…

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Donald Richardson and Vesna Tenodi: Aboriginal Violence Against Artists

 Donald Richardson and Vesna Tenodi: Aboriginal Violence Against Artists Open letter to Australian authorities urging them to stop Aboriginal violence against artists by defunding projects and organisations which directly or indirectly condone and/or support Aboriginal violence, and Ewa Smuga Media Release with request for apology. Follow us on Facebook:

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The social impact of Aboriginal hate in contemporary Australian society

Silencing the voices of reason, a social, political and archaeological study, examining art censorship In their intention to engineer a way to censor the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osváth, the Blue Mountains City Council joined forces with the Arts Law Centre of Australia and successfully manipulated planning laws, using the…