• Publications
  • Vesna Tenodi: Dreamtime Set in Stone – the Truth about Australian Aborigines, as requested by the Those-Who-Know
    • Dedication
    • Telling the Truth
    • Vesna’s Law
  • Vesna Tenodi: Love Long Lost
  • Vesna Tenodi: Sand in their Vaginas: Erotic art in prehistory and today
  • Vesna Tenodi: Wokeism and its Reverse Racism – Aboriginal violence and corruption in the Aboriginal Industry
  • Forbidden Art, Politicised Archaeology and Orwellian Politics in Australia
  • Among the Hostiles excerpts
  • Wanjina Watchers by Gina – Exhibition Catalogue
  • Donald Richardson and Vesna Tenodi: Aboriginal Violence Against Artists
  • Donald Richardson and Vesna Tenodi: Aboriginal Violence against Australian Artists
  • The social impact of Aboriginal hate in contemporary Australian society – silencing the voices of reason, a social, political and archaeological study, examining art censorship
  • Five-to-twelve – Dreamtime is over, it’s time to wake up!
  • An honest lawyer’s assessment: The issue is clear. At the moment, white law does not recognise the rights claimed by Indigenous people and Ms Tenodi’s legal argument holds. No one person owns the wandjina idea. No one person can own an idea. Nor is there an appropriate corporate body in whom the ownership right could or should reside.
  • Iconoclast – a crusade
• Pleistocene Coalition articles (Spiritual Archaeology)
  • Vesna Tenodi: Pleistocene underground – Part 3
  • Vesna Tenodi: Pleistocene underground – Part 2
  • Vesna Tenodi: Pleistocene underground – Part 1
  • Vesna Tenodi: Global perspective on Australian archaeology – Crimes and consequences of Aboriginal violence
  • Vesna Tenodi: Australian artists terrorized by the taxpayer-funded Aboriginal Industry
  • Vesna Tenodi: Australian archaeology, art, and politics intertwined
  • Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 3 – Those paintings were created by the advanced Pre-Aboriginal races of Rajanes and Abrajanes, predating aboriginal tribes by hundreds of thousands of years
  • Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 2 – Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes and Abrajanes
  • Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes and Abrajanes. Why is the Aboriginal industry trying so hard to hide the truth about pre-Aboriginal Australian rock art?
  • Vesna Tenodi: Australian past, present, and future – Part 2: Why is the Aboriginal industry so afraid of DNA testing? What are they afraid it might prove? Non-indigenous origin of contemporary tribes? Pre-Aboriginal races? Parallel existence and interbreeding of advanced and primitive groups?
  • Vesna Tenodi: Australian past, present, and future – Part 1: Cardinal errors which have spelled the end of Australian academic freedom – Predecessors, Ancestors, and white Aborigines
  • Vesna Tenodi: Australian Forbidden Past – Homo erectus and the highly advanced pre-Aboriginal races of Rajanes and Abrajanes
  • Vesna Tenodi: Saving the Wanjina Watchers in the Whispering Stone
  • Vesna Tenodi: Brain matters, Part 3 & 4: Leading Australian archaeologists say contemporary Aborigines should have nothing to do with the interpretation of Palaeolithic Australian cultures
  • Vesna Tenodi: Brain matters, Part 2: Trepanated and elongated skulls
  • Vesna Tenodi: Brain matters
  • Vesna Tenodi: Contrasting Georgian & Australian Archaeology
  • Vesna Tenodi: Open letter to Svante Pääbo and the Max Planck Institute – your revolutionary work is crucial to save Australian archaeology
  • Vesna Tenodi: Neanderthal–Denisovan–Aboriginal DNA connection
  • Vesna Tenodi: A renaissance in Neanderthal studies
  • Update on effects of aboriginal violence
  • Vesna Tenodi: Problems in Australian art and archaeology
  • Vesna Tenodi: Forbidden Art, Politicised Archaeology and the “Dreamtime Set in Stone” book with Goomblar Wylo
  • Vesna Tenodi: Wanjinas now – Contemporary artists reviving pre-Aboriginal Australian rock art
  • Vesna Tenodi: Wanjina & Bradshaw-style rock art in other parts of the world
  • Vesna Tenodi: Pre-Aboriginal Races in Australia – Mungo Man and Kow Swamp Bones
  • Vesna Tenodi: Pre-Aboriginal Australian rock art: Wanjina and Bradshaw figures
• Media Releases
  • Anthony Dillon: The 27 Strings of Victimhood’s Puppets
  • Anthony Dillon: Choosing to Be Offended
  • Tribute to Bronya, a brave advocate for artistic freedom
  • More about fake Aborigines – Land council slams Aboriginality rorts
  • Call for Aboriginal identity tests to expose fake Aborigines
  • MediaRelease: Request for the Australian Government to intervene in the Arts Law Centre of Australia breach of moral rights of non-Aboriginal artists Benedikt Osváth and Gina Sinozich
  • Aboriginal Violence Awareness Day – 10 December 2015
  • False attribution by the Arts Law Centre of the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osváth; Request to the Federal Government for an Inquiry into Aboriginal violence against non-Aboriginal artists and into Corruption in the Aboriginal Industry – Published in the Public Interest
  • Media Release 12 February 2015 – Corruption in the Aboriginal Industry and its threat to freedom of expression
  • Support our campaign for Freedom of Expression – say no to violence and corruption!
  • Wanjina Watchers Dolls – protest against Aboriginal violence – international art events in support of Polish designer Ewa Smuga and the Eclipse Hotel
  • “Aboriginal art is crap, repetitive patterns suitable for decorative rugs, discussed in dramatically hallowed terms, spectacular fraud playing on the corporate guilt, the stale rejiggings of a half-remembered heritage, corrupted art with all energy, purpose and authenticity lost…”
  • Open Letter to the Liberal Government; and thanks to the Office for the Arts for defunding the Arts Law Centre of Australia
  • Request for defunding of the Arts Law Centre of Australia
  • DreamRaiser Trilogy by Vesna Tenodi
  • ABC News – Reactions to Court Order for Wanjina Watcher’s Art removal
  • Complaint against the Arts Law Centre of Australia and Blue Mountains City Council
  • Blue Mountains police caught a man in the act of vandalising and desecrating the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osváth
  • Vesna strikes back – with 108 Wanjina Watcher flowers in “Wanjina spirits are reaching for every Aboriginal heart” event, during failed attempt to relocate the Wanjina Watchers in the Whispering Stone sculpture in Katoomba, the City of Art Censorship
  • We truly care, but they refuse to see that – Attempted relocation of the Wanjina Watchers in the Whispering Stone sculpture by Benedikt Osvath in Katoomba, the City of Art Censorship
  • Media release 1 August 2011 – Invitation to relocation of the “controversial” Wanjina Watchers in the Whispering Stone sculpture in Katoomba, the City of Art Censorship
  • Protest against sculpture censorship Blue Mountains Gazette 20 July 2011
  • Welcome to Katoomba – the City of Art Censorship Media release 18 July 2011 – Boxing in the Wanjina Spirits
  • Arts Law Centre media release 22 June 2011 – this practice of Arts Law Centre racist comments and vilification of non-indigenous artists will be examined in “The social impact of Aboriginal hate in contemporary Australian society” document.
  • Aborigines celebrating their Pyrrhic victory
  • Croatian Herald 7 July 2011: Support Artistic Freedom
  • Arts Law Centre: How to use other laws to enforce non-existent law, 18 April 2011
  • Arts Law Centre: The Wandjina case, 30 September 2010
  • Croatian Herald Exclusive: Death of artistic freedom in Australia – local council supports the vandals