An excerpt from my new book “True Colours” related to the Environmental Defender’s Office (EDO) case of the dazed and confused serpent and crocodile, seeking instructions for their “sacred songlines” map. Work in progress… Download the full pdf e-Book here: Vesna Tenodi: True Colours
“Love Long Lost” is part of our ongoing initiative to fight against Wokeism and Cancel Culture, as well as against aboriginalisation and aggressive ‘decolonisation’ process that is being conducted in Australia – under which the public buildings, statues and monuments, as well as private properties, art galleries and politically undesirable artworks are being vandalised and…
“Wokeism and its Reverse Racism” provides an insight into Cancel Culture and its “woke” movement. It is a must-read for anyone interested in Wokeism in Australia, the US and Canada, and in Reverse Racism which has poisoned contemporary Australian society.The book includes the orders that the “woke” organisations give to authors they see as a…
Vesna Tenodi: Fraudulent prehistory continues to be supported by Australia’s mainstream, and Cannibalism in Paleolithic/Neolithic Europe and beyond Fraudulent “Dark Emu” book, which contains imaginary stories about Australian prehistory misrepresented as fact, written by fake Aborigine Bruce Pascoe, received glowing reviews, literary awards and accolades, and was promptly introduced as compulsory reading into our high…
Vesna Tenodi: Understanding Australian prehistory accurately depends on honest, non-politicized research The famous Bradshaw paintings represent only part of the evidence there were other people besides the Aborigines in Australia during the Pleistocene. In order to elevate the tribes to something other than Paleolithic hunter-gatherers, the first priority was to destroy archaeological material which didn’t…
Personal experience – savage reactions to Vesna Tenodi’s Open Letter to the new Australian Prime Minister, Scott Morrison, suggesting the need for a Federal Inquiry into Aboriginal violence on social media, and also requesting an investigation into general corruption of the Aboriginal industry as a whole.
Vesna Tenodi: Disproved claims of ancient art copyright leads to invention of Australian Newspeak Thanks to the support of some sincere lawyers who publicly announced that their colleagues were wrong, the Australian public was finally informed that there is no copyright on ancient art and designs or on artistic styles and techniques, and that all…
There is no credence in any of the Aboriginal industry’s ‘meticulous research’ which supposedly ‘proves that Walsh was wrong’… Walsh concluded that both groups – Bradshaw as well as Wanjina figures – were deliberately destroyed, which was the Aboriginal way of making a statement of cultural dominance over an earlier, non-Aboriginal race… Speaking the truth is now called ‘hate speech’… Fraud and falsified archaeology are now even enshrined in Australian law.
Vesna Tenodi: Aboriginal Paleolithic artifacts explained
Vesna Tenodi: What really happened to Mungo Lady and Mungo Man? Part 2
Vesna Tenodi: A society of sycophants and hypocrites “I call these studies alleged research and see them as contentious because I regularly see a great many claims invented or political purposes and the personal gain of participants in the Aboriginal industry.”
Vesna Tenodi: Mungo Lady and Mungo Man – what really happened with the Australian prehistoric skeletons, Part 1
Acclaimed Aboriginal artist Harold Thomas… an educated Aboriginal elder… is horrified by these Government attempts to legally regulate who can be inspired
by what imagery.
Politically-prescribed and legally concocted “codes of conduct” and “protocols,” invented by the Aboriginal industry, are propagated in a way that can mislead any naive reader into believing that such “protocols” are actually enshrined in law. As a consequence, alleged “sacred customs” that have never actually existed have become mandatory in all public institutions and agencies.
The fact that Bednarik has been suppressing both academic and artistic freedom for the last three decades is cause for great concern.
In Australia, we have long become used to the politically driven suppression of any archaeological evidence which does not fit the current paradigm of Aboriginal tribes being the “first people”.
In Australia, when it comes to archaeology, such freedom of research is non-existent. Archaeologists are not allowed to touch any ancient bones, not even to look at them, without ’Aboriginal permission’.
Who should we trust in a country paralysed by political correctness? Having written about Mungo Man skeletal remains several times I had no intention of revisiting that particular topic. But the latest development has twisted my arm.
When my last article was published I was again attacked and abused for saying that some Australian archaeologists are making false claims, deliberately misrepresenting, or — in some cases — outright fabricating evidence to support their invented story of the “ancient culture” that never actually existed.
A new mainstream proposal now places the first ‘human ancestor’ not in Africa but in the Mediterranean. According to the theory, the lineages of chimpanzees and humans may have ‘split’ several hundred thousand years earlier than previously assumed, says an international research team…
Political correctness and other nonscientific practices are increasingly being used by Western institutions to stage-manage public beliefs about prehistory. It is a modern ruse used to promote ideas that would never pass muster in a full and honest disclosure of facts – a common problem in suppression-dependent anthropology.
Ted Strehlow fell out of favour when he asserted that real ancient culture was well and truly extinct, and replaced with a fake culture as devised by the Aboriginal industry. He went from glorified to vilified, for proving that modern Aborigines “no longer have any knowledge of the authentic tribal culture, since the elders and guardians of the secrets were all dead and that whole world is finished, and will never come back”.
This moment is a long-overdue opportunity for Australian archaeology to be revived, for our vilified scientists to be rehabilitated, and for our artists to regain their right to create art without fear of Aboriginal violence. And for the Aboriginal industry with its propagators of a falsified past to be held accountable, exposed and defunded…
This article is dedicated to Ian Wilson, author of Lost World of the Kimberley, published in 2006, attacked by the Aboriginal industry for his “provocative” research of Bradshaw paintings attributed to a pre-Aboriginal race which he called the Bradshaw people. Australian cave art has a lot in common with Asian prehistoric art. In the Stone Age art of Indonesia as found on Sulawesi island animal drawings were dated to 35,000 years ago placing them among the oldest figurative depictions in the world…
Same signs, same minds: Palaeolithic artefacts decorated with identical patterns such as parallel lines, ladder motif, cross-hatch pattern, dots and circles – together with jewellery made of shells, bones or pebbles – form part of a decorative repertoire typical for the Upper Palaeolithic period in the Mediterranean basin. The same motifs are also typical for Stone Age material found in Australia…
Vela Spila on Korcula Island in Croatian – What is typical Neolithic material doing in a Paleolithic stratum? The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary…
Unethical practices, such as these found in the Australian mainstream, were clearly explained by the great American physicist Richard Feynman, who summed it up as follows:
“No government has the right to decide on the truth of scientific principles, nor to prescribe in any way the character of the questions investigated. Neither may a government determine the aesthetic value of artistic creations, nor limit the forms of literary or artistic expression…”…
The suppression of evidence in science is not only the mainstream against challenging ideas but also mainstream against mainstream and usually for political reasons. The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary…
The suppression of evidence in science is not only the mainstream against challenging ideas but also mainstream against mainstream and usually for political reasons…
Vesna Tenodi: Global perspective on Australian archaeology – Crimes and consequences of Aboriginal violence The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:http://pleistocenecoalition.com
Vesna Tenodi: Australian artists terrorized by the taxpayer-funded Aboriginal Industry The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
Vesna Tenodi: Australian archaeology, art, and politics intertwined. The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:http://pleistocenecoalition.com
Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 3 – Those paintings were created by the advanced Pre-Aboriginal races of Rajanes and Abrajanes, predating aboriginal tribes by hundreds of thousands of years. Don’t simply trust that the mainstream “experts” telling you a story of prehistory must know what they’re talking about. Remember,…
Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art – Part 2 – Aboriginal informants have always claimed that they did not paint the Wanjinas. Likewise, that they did not paint the Bradshaw figures. Those paintings were created by the Pre-Aboriginal races of Rajanes and Abrajanes. Don’t simply trust that the mainstream “experts” telling you…
Vesna Tenodi: Decoding the messages of Pre-Aboriginal rock art, created by the Pre-Aboriginal races of Rajanes and Abrajanes. Why is the Aboriginal industry trying so hard to hide the truth about pre-Aboriginal Australian rock art? The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical…
Vesna Tenodi: Australian past, present, and future – Part 2: Why is the Aboriginal industry so afraid of DNA testing? What are they afraid it might prove? Non-indigenous origin of contemporary tribes? Pre-Aboriginal races? Parallel existence and interbreeding of advanced and primitive groups? The Pleistocene Coalition is a group of researchers challenging the tenets of…
Vesna Tenodi: Australian past, present, and future – Part 1: Cardinal errors which have spelled the end of Australian academic freedom – Predecessors, Ancestors, and white Aborigines The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not…
Vesna Tenodi: Australian Forbidden Past – Homo erectus and the highly advanced pre-Aboriginal races of Rajanes and Abrajanes The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
Vesna Tenodi: Saving the Wanjina Watchers in the Whispering Stone The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
Vesna Tenodi: Brain matters, Part 3 & 4: Leading Australian archaeologists say contemporary Aborigines should have nothing to do with the interpretation of Palaeolithic Australian cultures The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid…
Vesna Tenodi: Brain matters, Part 2: Trepanated and elongated skulls The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
Vesna Tenodi: Brain matters The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
Vesna Tenodi: Contrasting Georgian & Australian Archaeology The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com Download full article in pdf format: Vesna Tenodi: Open letter to Svante Pääbo and the Max Planck Institute – your revolutionary…
Vesna Tenodi: Neanderthal–Denisovan–Aboriginal DNA connection With their research results between 2010 and 2013, the Max Planck Institute for Evolutionary Anthropology, in Leipzig, Germany, upended the firmly established theories of Homo sapiens origins. Out-of Africa, with both the Replacement model as well as the Assimilation model were out the window. The Pleistocene Coalition is a group…
Vesna Tenodi: A renaissance in Neanderthal studies The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
Update on effects of aboriginal violence
Vesna Tenodi: Problems in Australian art and archaeology The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
Vesna Tenodi: Forbidden Art, Politicised Archaeology and the “Dreamtime Set in Stone” book with Goomblar Wylo The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo:www.pleistocenecoalition.com
Western civilization needs Wanjinas – DreamRaiser Artists in the Pleistocene Coalition Art Gallery Australian and Croatian artists in PC gallery: “…superb paintings and other creative work from Vesna Tenodi’s DreamRaiser project including the exploratory electronic and guitar instrumental by Croatian composer and musician Amadeo Dujmovic…”
Vesna Tenodi: Wanjina & Bradshaw-style rock art in other parts of the world The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: pleistocenecoalition.com
Vesna Tenodi: Pre-Aboriginal Races in Australia – Mungo Man and Kow Swamp Bones The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com
Vesna Tenodi: Pre-Aboriginal Australian rock art: Wanjina and Bradshaw figures The Pleistocene Coalition is a group of researchers challenging the tenets of mainstream scientific agendas which are promoted despite empirical evidence to the contrary. Join a community not afraid to challenge the status quo: http://pleistocenecoalition.com